An annual initiative that provides three emerging artists in the UAE with a platform from which to develop their practice and realise ambitious art projects. The selected artists undertake a year-long programme created by a guest curator each year with critical feedback and support from the curator. The programmme leads toward the realisation of a group exhibition for the Abu Dhabi Art Fair in November. The works remain on exhibition to the public for several months in Abu Dhabi beyond the fair dates and are then exhibited internationally.
Supported by Friends of Abu Dhabi Art since 2021.
The three appointed artists for Beyond Emerging Artists 2023, Almaha Jaralla, Latifa Saeed and Samo Shalaby, all based in the UAE, have each been shaped differently, through the roots that ground them and the multicultural routes that have brought them to where they now stand. Beyond their clear differences as individual artists, all three navigate an interesting path between historical issues and contemporary matters, private and public space, subjective and collective memory. They also embody a compelling and cosmopolitan vision of the Gulf region, in which cosmogonic phenomenon and ecological concerns exceed national borders.
Although each artist presents new work that is unique and distinct, all three explore a new dialectics of daylight and nocturnal spaces. In a world where global warming brings us to reconsider our normal schedules and to invent new extensions of our lives, their installations propose a kind of third space, beyond day and night, seeking for a speculative realism.
- Morad Montazami, director of Zamân Books & Curating, currently resident of the Villa Medicis in Rome (Italy) and curator for Beyond Emerging Artists, Abu Dhabi Art 2023
Abu Dhabi-based Emirati visual artist (b. 1996), Almaha Jaralla’s installation Crude Memory presents a fictional reenactment of the emblematic Al-Ruwais location near Abu Dhabi and its ghostly traces in the present. The 1970s-1980s architecture and housing bear a particular memory and experience of petro-modernity and cultures – which developed between vernacular and postmodern forms. The intimate and domestic space comes across with the epic narrative of the oil industry and its economic quest. Investigating on the ruins of such forgotten heritage, she particularly looks into the remnants of plants and gardens, through radiant landscapes and lost futures.
Almaha Jaralla
Al Ruwais Series, 2023
Digital photography
Courtesy of the artist
Almaha Jaralla
Installation view from Marignana Arte, Italy
Dubai-based Emirati visual artist (b. 1985), Latifa Saeed’s installation Dust Devils offers a never seen before technological experience based on a fundamental cosmogonic narrative and poetics of science. Referring to the mysteries of nature, rooted in a cultural language that has evolved from the UAE’s distinct desert landscape, it organizes in three different devices: smoke machine, hologram and electro-magnetic. Each translates an atmospheric phenomenon that can be experienced in the desert, through various whirlpools and tornados, when air, water, fire and earth come together. A reminder of the fragility and resilience of the traditional landscape in the critical age of Anthropocene.
Latifa Saeed
Devils Dust, 2023
Video
Courtesy of the artist
Installation view from Manarat Al Saadiyat, Abu Dhabi
Latifa Saeed
Installation view from Marignana Arte, Italy
Dubai-based Egyptian-Palestinian visual artist (b. 1999), Samo Shalaby’s installation’s What Lies Beneath unveils a theatrical and extravagant labyrinth of surreal visions – inspired by various art historical movements from the Renaissance and Baroque art to the Pre-Raphaelites and Symbolism, in a contemporary reappropriation. His extremely refined and serendipitous paintings, photographs and jewels project the viewer into a beginningless and endless visual carnival – behind which lies a meditation on our multiple identities. His strategic and dramatic use of the curtains and the almost metaphysical pattern of the fold function stimulate our imagination toward a dreamscape of his making.
Samo Shalaby
Fantôme Fête, 2022
Acrylic on Antique Wooden Headboard
150 x 145 cm
Courtesy of the artist
Installation view from Manarat Al Saadiyat, Abu Dhabi
Samo Shalaby
Installation view from Marignana Arte, Italy
Beyond Emerging Artists Curator and Director of Zamân Books & Curating
Beyond Emerging Artists Curator and Director of Zamân Books & Curating
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Morad Montazami (France, 1981) is an art historian, publisher and curator. After working at the Tate Modern (London) between 2014 and 2019 as a curator for the Middle East and North Africa, he developed the publishing and curatorial platform Zamân Books & Curating, exploring Arab, African and Asian modernities. He has written numerous essays on artists such as Zineb Sedira, Walid Raad, Latif Al Ani, Faouzi Laatiris, Michael Rakowitz, Mehdi Moutashar, Behjat Sadr... and curated exhibitions including Baghdad Mon Amour, Institut des cultures d’Islam (Paris, 2018); Monaco-Alexandria: The Great Detour. World-capitals and Cosmopolitan Surrealism, Nouveau musée national de Monaco (2021-2022); Casablanca Art School. Platforms and Patterns for a Postcolonial Avant-Garde, Tate St-Ives/Sharjah Art Foundation/Schirn Kunsthalle Frankfurt (2023-2024
Morad Montazami, director of Zamân Books & Curating, and currently resident of the Villa Medicis in Rome (Italy) is the curator for Beyond Emerging Artists, Abu Dhabi Art 2023
Emirati conceptual artist, Almaha Jaralla, observes living environments as highly personal portraits. The Abu Dhabi-based artist places the focus of her paintings and photographs on the modern history of her local surroundings. Jaralla is preoccupied with the local architectural vernacular and the generational shifts that she has observed in the constructed environment. The artist often works from her own documentary photography as well as archival materials that offer insight into the Gulf at various moments in time. Jaralla uses colour theory to negotiate the complex sociocultural dynamics and ancestral histories that have contributed to her lived experience. Questions of identities - individual and collective - are interwoven throughout her output.
Latifa Saeed is a Dubai-based multidisciplinary artist who graduated from Zayed University with a bachelor’s degree in Arts and Sciences in 2007. She obtained the Emerging Artist Fellowship by Abu Dhabi’s Salama bint Hamdan Al Nahyan Foundation, in partnership with Rhode Island School of Design, in 2019. In 2021 Saeed received a grant from the Misk Art Institute in Riyadh and participated in the group show “Under Construction” at The Prince Faisal bin Fahd Fine Arts Hall. She was also a finalist of the Richard Mille Art Prize, hosted by Louvre Abu Dhabi alongside its ‘Art Here’ exhibition in 2021, and participated in their group show “Memory, Time, Territory”. Saeed was recently the first Emirati artist to showcase work in Almaty, Kazakhstan with her solo exhibition “Black Silhouette”, curated by the renowned art historian, critic, and author Valeria Ibraeva.
Samo Shalaby is an Egyptian Palestinian fine artist based between Dubai and London. Growing up in Cairo and Dubai before pursuing his artistic education at Central Saint Martins, Samo was exposed to a myriad of artistic expressions, styles, and forms of art-making that have shaped his unique creative oeuvre. Exploring fields such as stage design, costume design, and jewelry, Samo began integrating strands of theatrical essence into his work, infused with a distinct dramatic flair. His artistic explorations traverse the styles of antiquity, surrealism, and the grotesque, filtered through his own contemporary and personal lens. His work embodies an inherent fascination with blurring the boundaries between identity, culture, and high fashion, often through dichotomous narratives that lurk behind beautiful facades. Combining a range of aesthetics and motifs from various decades, Samo crafts new worlds that are familiar yet so far away. Whether on camera or canvas, symbolism, and storytelling are crucial elements for conjuring Samo's vision into existence.