Launched in 2017. Each year, Abu Dhabi Art invites established and well-known artists to create site-specific works in cultural sites in Al Ain and the wider Abu Dhabi emirate, to activate these sites and draw new audiences to them. The works created by the commissioned artists are revealed during Abu Dhabi Art Fair and remain on show to the public for several months afterwards.
Quipu Alphabet, 2021
Ropes and metal structure
320 x 220 cm
Courtesy of the Artist
The artwork Quipu, or Khipu, is a writing system dating back to the Inca period, which consists of coloured knotted strings. It is believed that Quipu later gave rise to the Arabic Quipu, a writing system consisting of 28 strings representing the Arabic alphabet, with knots on upper, middle, and lower levels.
Al Al Jahili Fort, Al Ain
StillTheyKnowNotWhatIDream, 2021
Motion Flapboard, 35 mins
237 × 13 × 24 cm
Courtesy of the artist and Gallery Continua
The artwork consists of two suspended split-flap boards which display poetic phrases centered on loss, power and truth. Rather than announcing expected departure or arrival times, Gupta disrupts the boards’ original function so they enter an uneasy dialogue with one another, inviting the viewer to enter into their deliberations.
Al Jahili Fort, Al Ain
Song of the Ground, 2017
Mechanical installation with borderland river stones
31x14x13 in | 80x36x18 cm
Courtesy of the artist and Gallery Continua
Song of the Ground consists of stones collected by the artist around the Teesta River at the India-Bangladesh borders, where everyday movement of goods and people persist despite border fencing. The stones come clapping together in a rhythm, as if subversively applauding transgression, having been witness to the force of nature in motion.
Al Jahili Fort, Al Ain
100 Hand drawn Maps of India, 2007-08
Table, fan and a book
106 x 61 x 122 cm
Courtesy of the artist and Gallery Continua
Highlighting the futility of political divisions, Gupta’s works often juxtapose ideas of empirical measurement used to construct borderlines against ground reality. In 100 Hand Drawn Maps of My Country, the artist asked people to draw a map of their country. The work throws into question how political borders are created, imagined, and learned.
Al Jahili Fort, Al Ain
Bodies in Alliance, 2021
LED bulbs and mixed media on wooden and metal structure
843 x 537 cm
Courtesy of Marinella Senatore and Mazzoleni, London, Torino
Bodies in Alliance, 2021, is a large-scale metal and LED-light installation where textual and iconographic elements belonging to the artist’s cultural background - such as southern Italy’s traditional “luminarie” - create a portal to a collective dimension. The quote by American philosopher Judith Butler underlines the importance of social assemblies and the key role of the body in political and revolutionary acts. The work was showcased at Park Platz, a participatory project organised by the Berlinische Galerie where contemporary artists and architects have combined art with interactive events. From May to September 2021, this temporary pavilion transformed the museum’s car park into a large urban forum, in which performances, debates, video projections, and workshops put the surrounding environment in direct dialogue with urban society.
Manarat Al Saadiyat
Patterns of Absence (Bb36D10) - Desert Beacon, 2022
painted steel, mechanical system
360 x 262 x 407 cm
Courtesy of the artist and Galerie Isa, Mumbai
Patterns of Absence (Bb36D10) - Desert Beacon is a brand-new commission responding to the light, space, and contemplative potency of the desert. This new work has been born out of the artist's optic series the Patterns of Absence, which explores the mathematics of interference and the human perception of light. In this series, Shawcross has created works that are akin to stained glass windows, which are activated by the sun. Composed of two slowly counter-rotating discs, each one is peppered with over a hundred thousand holes all carefully arranged across their surface, the combination of which filter the dappled rays of the sun through constantly shifting, dynamic patterns.
Al Ain Oasis, Al Ain
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Abdullah Al Saadi’s work ranges from painting, drawing and the creation of lengthy artists’ notebooks to the collection and systematic categorisation of found objects and the invention of new alphabets. A great affinity with nature and rural life informs his practice, which explores the changing environment as well as personal and cultural history.
Al Saadi’s work has been shown in the solo exhibition Al-Toubay, Sharjah Art Foundation (2014), and his installation Camar Cande’s Journey (2010-2011) was a SAF commission. His work was also presented in a number of group exhibitions, including Sharjah Biennial 13 (2017); 1980–Today: Exhibitions in the United Arab Emirates, Venice Biennale (2015); Sharjah Biennial 12 (2015); Here and Elsewhere, New Museum, New York (2014); Emirati Expressions: Realised, Manarat Al Saadiyat, Abu Dhabi (2013); Body Art and Performance in the Gulf Area: 16 Artists, New York University Abu Dhabi (2013); Sharjah Biennial 10 (2011); Venice Biennale (2011); ADACH Platform, Venice Biennale, (2009); Languages of the Desert, Kunstmuseum Bonn, Germany (2005); São Paulo Biennial (2004); Sharjah Biennial 6 (2003); and The Art of the Five from the United Arab Emirates, Ludwig Forum for International Art, Aachen, Germany (2002).
Al Saadi holds a bachelor’s degree in English literature from the United Arab Emirates University, Al Ain (1993) and studied Japanese painting at Kyoto Seika University, Kyoto, Japan (1994-1996).
He was born in 1967 in Khorfakkan, United Arab Emirates, where he still lives and works.
Abdullah Al Saadi is a commissioned artist for Beyond: Artist Commissions, Abu Dhabi Art 2022
Born 1977, London. Lives and works in London.
Imbued with an appearance of scientific rationality, Conrad Shawcross’s sculptures explore subjects that lie on the borders of geometry and philosophy, physics and metaphysics. Attracted by failed quests for knowledge in the past, he often appropriates redundant theories and methodologies to create ambitious structural and mechanical montages, using a wide variety of materials and media, and often working on an epic scale. Different technologies and natural forces inspire his forms, but his mysterious machines and structures remain enigmatic, filled with paradox and wonder. Some have an absurdist melancholy feel, while others tend to the sublime.
Conrad Shawcross is a commissioned artist for Beyond: Artist Commissions, Abu Dhabi Art 2022
Marinella Senatore (Cava de’ Tirreni, 1977) pushes her research to the point of redefining her role as an artist to become an “activator of processes”, giving life to heterogeneous two-dimensional and sculptural artistic production characterised rganized zed by a variety of languages and techniques: medium and large format photographs, pencil and charcoal drawings, acrylics on canvas, collages and photo-collages, as well as videos and light installations in both public and private spaces.
Senatore has been working with light installations since 2016. Throughout the years, she has developed her iconic and monumental luminous site-specific installations, such as those that have been installed at the High Line in New York (2018), in Piazza Duomo in Lecce for the presentation of Dior’s Cruise 2021 collection (2020), in the courtyard of Palazzo Strozzi in Florence (2020), at the Berlinische Galerie in Berlin (2021), as well as at the São Paulo Biennal (2022).
These works -– with their rose windows and portals -– are reminiscent of Baroque architecture. The artist draws inspiration from Southern Italy’s luminarie, the elaborate light structures that traditionally adorn cities and recreate cathedrals, piazzas, and other architectural elements for outdoor public celebrations and religious festivities.
Marinella Senatore is a commissioned artist for Beyond: Artist Commissions, Abu Dhabi Art 2022
Shilpa Gupta (b.1976) lives and works in Mumbai, India where she studied sculpture at the Sir J. J. School of Fine Arts from 1992 to 1997.
She has had solo shows at Contemporary Arts Center in Cincinnati, Arnolfini in Bristol, OK in Linz, Museum Arnhem, Voorlinden Museum and Gardens in Wassenaar, Kiosk in Ghent, Kunstverein Bielefeld, La Synagogue de Delme Contemporary Art Center and Lalit Kala Akademi in New Delhi. She presented a solo project at ‘My East is Your West’, a two-person joint India-Pakistan exhibition by the Gujral Foundation, in Venice in 2015.
Gupta’s work has been shown in leading international institutions and museums such as Tate Modern, Museum of Modern Art, Louisiana Museum, Centre Pompidou, Serpentine Gallery, Fondazione Sandretto Re Rebaudengo, Mori Museum, Solomon R. Guggenheim Museum, ZKM, Ishara Art Foundation, Kiran Nadar Museum and Devi Art Foundation.
Shilpa Gupta is a commissioned artist for Beyond: Artist Commissions, Abu Dhabi Art 2022